

“I gravitated toward the film’s imagery of the present, such as the birch trees, and to Tarkovsky’s use of light, which is very much a painter’s light. With beautiful, shimmering moments of impressionist illumination, the figure-ground relationships decompose.”
White Birch Grove, North (After Tarkovsky), 2008 - Kirsten Everberg
5 notesPosted on Tuesday, 17 April
Tagged as: paintings Andrei Tarkovsky art
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